Lindsay Bec
“Living Networks: Exploring Collaborative and
Interdependent Textuality,” will explore texts as collaborative
networks that continuously interconnect and evolve through non-linear points of
departure. Using hypertext and the generative art piece "Floccus," my
paper will look at text, as an infinite ensemble of open systems, in a
visual and interactive landscape.
Stephanie Bedin
The Middle English manuscript for “Sir Gawain and the Green Knight” has
been studied in the past but the primary goal of the Cotton Nero A.x project is
to examine the text with a level of accuracy that has not yet been achieved.
The project will analyze the writing styles and patterns of the scribe through
both diplomatic and critical editions.
Danielle Marie Bitz
The Men’s GOLF Manual is a creative attempt to confront the public dismissal of the
criticism of language constructs in relation to feminisms through humour. The Men’s GOLF Manual offers a series of
instructions to (primarily) men wishing to counter feminism. With a primary
focus on language and language based interactions The GOLF Manual seeks
to name the subtle elements of traditionalist backlash to feminism and present
them ironically as conscious and deliberate acts.
Tara Bodie
Not a Marrying Man is an analysis of popular
fiction's Sherlock Holmes that examines how reading the character as having an
asexual orientation better explains his popularity in the Victorian era than
other readings that position him as either heterosexual or homosexual.
Thomas Brookes
What really exists outside of our language? Through an analysis of
George Orwell’s 1984 this
presentation investigates the relationship between the language we speak and
the reality we perceive.
Brin-Chenille Bugo
(Re)Writing the Self examines how Theodore
Fontaine and Mary Lawrence, both Canadian Residential School survivors, used
writing to work through and overcome their traumatic pasts.
Tempest Emery
In “Voicing the Landscape: A Reading of Sid
Marty’s Men for the Mountains and Leaning on the Wind: Under the
Spell of the Great Chinook,” I will explore the way in which Marty uses
several different expressions of the landscape’s voice and perspective to
emphasize that human beings are not alone in their interactions with the natural
world. Looking at specific examples I will demonstrate the way in which his
writing illustrates how the natural world experiences those interactions
uniquely.
Sean Geddes
Sean’s paper will inquire
into the highly wrought metaphors found in Shakespeare’s Sonnets, and consider some of the less obvious factors that come
together to create metaphorical meaning. It will place metaphor alongside
considerations of etymology, diction, and word placement, and thus aim to
confront the relationship between the specifically formal aspects of
Shakespeare’s poetry and the “present/absent” meanings of his metaphor.
Katie Harris
Katie will be presenting on “Beauty and the Beast” and how the
adaptations of the fairy tale challenge gender stereotypes.
Carmen Cookson-Hills
Agatha Christie’s Belgian detective Hercule Poirot performs various roles during his investigations to ensure his financial and professional success. His overt performativity is especially notable in the colonial murder mysteries such as Appointment with Death, Murder in Mesopotamia, and Death on the Nile. Amidst exotic settings and Oriental peoples, the foreign detective essentially becomes British by default and is consequently deemed the most appropriate means of law enforcement by the holidaying English social circles.
Carmen Cookson-Hills
Agatha Christie’s Belgian detective Hercule Poirot performs various roles during his investigations to ensure his financial and professional success. His overt performativity is especially notable in the colonial murder mysteries such as Appointment with Death, Murder in Mesopotamia, and Death on the Nile. Amidst exotic settings and Oriental peoples, the foreign detective essentially becomes British by default and is consequently deemed the most appropriate means of law enforcement by the holidaying English social circles.
Kaitlin Kiddey
“Fear, Fascination, and the Female Form” is a study into the evolution
of female representation in nineteenth-century American Gothic Literature and
how the changing representation is emblematic of evolving societal expectations
of women.
Doug Neilson
The “End of Scott’s Lake” is a creative look at the intersections of
space, character making and the influences that our surroundings have on the
ways we read ourselves and each other.
Katie Rudolf
"Beyond the Drawing
Room" presents a feminist reading of Victorian novels. The Bronte sisters'
novels advocate a new gender performative that challenges the prevailing
notions of the early Victorian era.
During this time, women were restricted to an aesthetic education but
the protagonists utilize this schooling as a means of attaining autonomy and
becoming self-reliant.
Maddy Sawyer
For this presentation, Maddy will be examining the use of the double in
two classic Gothic novels, Frankenstein
and The Picture of Dorian Gray.
Specifically, she will look at how the double represents the repressed
homosexual desire of the two main characters.
Caitlyn Spencer
(Not) Writing About Racism is a
semi-autobiographical paper about the process of writing a semi-autobiographical
story that confronts contemporary Canadian racism by, in true Canadian form,
avoiding the subject, changing the subject, downplaying the subject, and
getting distracted by iPhones and the petty minutiae of daily life. Sampling
"Made of Glass," the story in question, this presentation aims to
query whether or not form should always imitate content — is a story that
dances around racism capable of confronting the subject? — and uses Barbara
Trepagnier's concept of "silent racism" to suggest that when it comes
to racism in contemporary Canada, what we think is every bit as damaging and
dangerous as what we say or do.
Katrina Strauss
Katrina’s conference paper focuses on how postmodernist theory supports
thereinterpretation of utopian and dystopian settings in speculative fiction,
specifically exploring how subjectivity allows the individual imagination to
construct its own ever-evolving perceptions of 'good' and 'bad' places.
Allie Watson
“Bodiless Users and Broken Links: Reconnecting
the (Post)Human Subject to Hypertextual Networks” examines how hypertext
theory, which predates our widespread engagement with digitally interconnected
texts, can be productively critiqued through theories of affect and embodiment
to re-examine and reconstruct the human subject as it expands and transforms
through digital technology.
Schedule available here: http://ucalgaryenglishhonours.blogspot.com/p/2012-rescriptae-schedule.html
Schedule available here: http://ucalgaryenglishhonours.blogspot.com/p/2012-rescriptae-schedule.html
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